non-fiction rock from Aotearoa New Zealand

Posts tagged “Ekos

Navigating Drakes, Snakes, Breaks and Heartaches

When working without a promoter, who might handle all details relating to a show like accommodation, equipment, money or any other detail, we are required to have these conversations each time with individuals directly involved in the organizing. This is a constant shifting navigation, an act of negotiating similar but differing terrains.

This act of renavigating plans has been something of a significant consideration during this trip. The navigation of personal expectations of tour planning are confronted by the reality of the personal lives we interact with in this project. If this was simply a promoted tour it’s highly possible would would miss many of these meaningful, learning and sometimes humbling moments.

Tragedy and challenge are part of the human experience. On this trip illness and loss of life have been regular companions. Two good people that we have worked with previously, have both died this year. These are saddening losses for their individual communities. For us this has created planning challenges but our needs are not paramount at these times.


Hopes and expectations also have their own terrain. Not all negotiation delivers on desires. We spend our last days in the UK quietly as all the hunting for shows for the final weekend came to nought. But often a door closed opens another and we managed to see the most brilliant Bob Drake perform in Brighton. And as written in the previous entry the experience of the random networking of unknown people pitching in to help out was worth the experience.

Bob Drake in Brighton

We leave the ‘western’ world and head east to Thailand to reconnect with an old friend from Tenzenmen records who now lives in Chiang Rei. We explored the option of a show here in the far north but a lack of established venues or cohesive community of oddball music makers was not available. There are rumblings of ideas and plans which sound potentially exciting, so we wish them well for these future projects. During days off we learn about local superstitions, are informed to be wary of biting ants and snakes in the grass, and acclimatise ourselves to moving around in the local heat.

 

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Traveling south to Chiang Mai we take part in a show with two local acts. We find out about the challenges of navigating the running of shows in this area, compounded by a lack of venues, frequent sound problems in gentrifying areas, and police raids. Our night though is without any of these dramas and it seems a good time is had all round. Next to Bangkok. We play in a small venue called Jam, a space that seems receptive to noisy shows and stylings in addition to hosting the more experimental of events. The show we play has been curated for diversity with performances from free improvised harsh noise, the psychedelic solo guitar of Mitsuru Tabata (of Acid Mother’s Temple and Zeni Geva), the loose, sludgy and raucous sounds of Yoga from Hell, us and then the local punk legends Lowfat. A sonically fantastic night.

We move south again to Kuala Lumpur. Again the importance of everyday realities influences and supersedes the priorities of touring and plans adjust and evolve.

The show we do play is cracking! It is held in a studio space on the KL/Selangor boundary. The lineup is ourselves with four grindcore bands, two of them coming from Semarang, Indonesia. Especially wonderful to reconnect with so many people who had seen us play before on previous tours. It was a bit of a first to have so much recollection of memories and brilliant to still see so many ordinarily continuing to be musically active in their own way across the years.


Another navigation of consideration while we travel is the climate. Everywhere we go there are frequent conversations about the changing weather patterns. Central Europe is in the grip of a massive heatwave with the hottest temperatures ever recorded. Chiang Rei should be in its rainy season but it is dry with only one day’s rain in months. Flying to Chiang Rei the dry brown of the rice paddies blanket the ground. The irony of our participation in these events with all these flights is not lost. We hear an interesting fact (unable to verify) that at any given moment 1,000,000 people are in the air moving around the globe. Each time we travel we offset the carbon with Ekos but that doesn’t negate the placing of carbon in the atomosphere in the first place. There are new gargantuan airports being built in China, as well as Chiang Mai, extension’s in Bangkok and elsewhere. The industry doesn’t seem to be slowing. Conversely travel is good for humans, it’s an opportunity to learn, expand understanding, learn tolerance and solidarity for other human behaviors, activities and practices.

We are all navigating this mine field together, but not equally. Many will feel the sharp end of this crisis before others. The urgency is here.


We depart KL with our dear friend Joe Kidd heading to the Malaysian country of Sabah, on the island of Borneo, for a few days planned rest and exploring before playing again.


OrangeTime Tour 2019 ARCHIVE

It’s immensely exciting to announce the Orange Time Tour for 2019:

tour posters 3

Blog;

1. Balance like an Octopus
2a. Chrissie meets George Lund
2b. Concerts of Connections
3. Navigating Drakes, Snakes, Breaks and Heartaches
4. Where the Wild Things are!
5. Coffee grinds, grindcore, tempeh time, scooter tour
6. Cranes make Nests
7. Towards the Last Stop in the Line

June:

July:

August:

  • August: 1 Thurs Klatan IDN
  • 3 Sat Guangzhou: Venue – Brasston w/People’s Square
  • 4 Sun Shenzhen : Venue – Brown Sugar Jar w/HELP
  • 8 Thurs Wuhan : Venue – Prison w/
  • 10 Sat Beijing: Venue – DDC w/
  • 11 Sun Beijing : Venue – Temple Bar w/
  • 13 Tue Beijing: Venue – School Bar w/
  • 14 Thurs Seoul : Venue – M Bulgasari Special
  • 16 Fri Seoul : Venue – Strange Fruit
  • 17 Sat Seoul : Venue – Remember Love Camp Festival
  • 20 Tue Tokyo : Venue – Ogikubo club Doctor w/Height, Channeling!!! and NA/DA
  • 21 Wed Tokyo : Venue – Aja-Bar w/Punk Zoo and 5W1H
  • 22 Thur Tokyo : Venue – Nishi-Eifuku JAM w/HAIGAN, Goofy18, Electric Mongoose UFO Factory, The Devil and Libido

In an age of growing awareness of being part of a responsible global citizenry, we will offset our transport/Carbon Footprint using the local service Ekos. We encourage all traveling creative people, and all others, to do the same.

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The Carbon Offset Dubstep

a drive around the block is statistically insignificant in terms of the overall impact on the climate. That said, when a million turn an ignition key, it moves into the collective realm of statistical, and planetary, significancy. The heat is on.

Interpretation of Timothy Morton

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So we just bought carbon credits to offset our trip to Tokyo and Seoul. And it’s an easy thing to do.

From memory, Naomi Klein said in her book This Changes Everything, that a transition away from high-carbon to low-carbon activities is essential for ongoing viability of life on earth. She cites creative endeavours, such as the arts, as being a low-carbon activity to encourage. That’s a nice thing to hear if you make things such as music, it has a feel-good buzz to it, a pat-on-the-back for not launching tonnes of carbon into the atmosphere willy-nilly by being a ‘dirty polluter’.

But then we hop on a plane to go and play random weird tunes elsewhere because we can. Carbon, say hello to the atmosphere. And though it’s highly likely the plane will still have dumped that much carbon without us on board, the fact remains that we are on board, we have added encouragement to the intercontinental flight network [it is an amazing thing!], and we know that the impact of such events collectively cumulate into an unfolding hyperobject called Climate Change. [Again, read or watch Morton’s ideas on Hyperobjects].

How to mitigate such impacts? What’s a personal responsibility in this regard? How to offset the negative impacts of a positive endeavour? Talk to EKOS.

Ekos makes carbon footprint measurement and offsetting accessible for businesses and individuals. Our carbon credits come from our own carbon projects that grow and protect indigenous forest. These projects do more than capture carbon: they reduce erosion, help to clean waterways, improve biodiversity and provide sustainable income for local communities in New Zealand and the Pacific Islands. [from website]

Carbon offsetting is easy. This is the second time we’ve used EKOS to help carbon offset our tours and they are super helpful. You can read about the first time in the post, Out of step to not offset. They assist to calculate the impact of flights, trains, taxis and other transportation required. To offset our trip to Tokyo and Seoul we paid approximately NZ$240, that covered all transport as well as any other calculation we were unable to supply.

Carbon offsetting means planting trees. Planting one tree sequesters about one ton once fully grown. One ton is statistically insignificant in the grand scheme of things. However after planting one million trees, and then multiply that further, then it does start to have some statistical, and actual, significance. Let’s plant some shade.

We would encourage all touring act, big and small, to investigate offsetting your projects where possible. There may be local equivalents in the areas where you live. Check it out.

We wrote this last time, seems worth saying again: “We hope other creative practitioners and festival organisers can hook up with a services like Ekos and make reducing their carbon footprint a regular and expected part of creative responsibility and activity. “


Out of step to not Offset

If you have been following our tour diary, you will have picked up that we often comment on the environment, in all its beauty and/or visible degradation (or often invisibity due to the impenetrable smog).

Creative work generally has a low carbon footprint. However, it’s unarguable that hopping on a plane to tour your creative endevour generates a massive carbon footprint.

As creative workers, we wanted to attempt to offset our impact as best as possible. Our work is not more important than the sustained ongoingness of life on this globe.

For this tour we have chosen to utilise the services of Ekos, a NZ charity that produces internationally certified CO2 offsets from rainforest protection carbon conservation projects. When we offset our flight emissions with Ekos we supported the Rarakau Rainforest Conservation Project on Maori land in western Southland, Aotearoa NZ. And it was easy and affordable. Ekos also has certified rainforest protection carbon projects in several Pacific nations.

From the Ekos website:

“Most of us understand the need for infrastructure to support and enable our economy and wellbeing. Water, energy, waste management, transportation, communications, self defence… Without sufficient investments in infrastructure, the services we enjoy from them cannot endure.

Ecosystems are also ‘infrastructure’ – they provide beneficial services to our wellbeing. For example rainforests provide water quality, water supply, flood protection, drought mitigation, climate resilience, nutrient cycling, food fuel, and building materials. These services are central to our economy, and nature provides them for free – until we kill the geese that lay the golden eggs. A smart economy takes advantage of nature’s helpers by investing in their maintenance and durability.

The time has long past when we can rely on governments and voluntary organisations to meet our ecological infrastructure investment needs. Ekos enables visionary elements in the private sector to take on a game-changing leadership role in sustainable development through an approach based on carrots rather than sticks. An investment in nature is an investment in our common wellbeing.”

We hope other creative practitioners and festival organisers can hook up with a services like Ekos and make reducing their carbon footprint a regular and expected part of creative responsibility and activity. It is encouraging the hear that some big festivals are discussing with Ekos ways to minimise the environmental impact of their festival.


FYI: A couple of books have stretched our thinking about making bigger connections. Donna Harraway’s book, Staying with the Trouble: Making Kin in the Chthulucene stirred lots of conversations. She talks about how this new epoch, our current age, has been termed as the Anthropocene, the age where humanity-collective is responsible for the multi-environmental/multi-species damage. Harraway suggests this concept isn’t big enough, or accurate enough, and suggest that the term Capitalocene is more apt: that the fundamental driver of environmental and species damage done is the economic model of Capitalism in all it variants, not ALL humans. Naomi Klein also discusses the links between capitalism and climate change in her book, “This Changes Everything“. Klein also discusses the low-carbon footprint of creative work. Both books are well worth read.