It’s been a fair while since any update. Seems like we took a year off.
So feeling rested, reorientated and recuperated we hit the sticks again, with a bunch of new project.
First a number of shows coming up – Wellington, Whanganui, Palmerston North, Christchurch, Dunedin and Invercargill. Plus we are in the early stages of planning for a much bigger tour at the end of the year.
We have a new look, some new stories and tunes to present to you.
And there are two new solo albums and one remastered album to be released on the bands own label skirted Records. The first is beautiful new atmospheric and acoustic collection of five pieces of sound from DSLB, piped out from bellows over the green pasture of the Manawatu. The album is called TwoHandsTwice.
The second is Haters, Wreckers and other Friends by mr sterile. The most recent collect of random ramblings compiled into one particularly rock collection. Putting the uncomfortable in to the comfort zone. UPDATE: And already these’s a nice wee preliminary review from the Organ Mag in London!
And finally is a new remastering and repackaging of the mr sterile solo album The General Pathetic. More lo-fi and chaotic the album spans the some of the solo sounds from 2005-2012.
Each album is to be assembly by hand, limited to 50 physical pieces only and to be released early April
Marina Organ, one of the grand architects of The Organ Magazine, host of The Other Rock Show on Resonance FM, London, and general all-round super music enthusiast presented a couple of snippets of Chrissie’s DSLB album BlokeBird on the afore mention ResonanceFM.
And even more surprising, when Chrissie appears as poster girl 2014 for The Other Rock Show on the banner above. Such wonderful support, thanks Marina!
DSLB’s first solo album, BlokeBird was released tonight on our skirted Records label. Over a few bottles of Parrot Dog, we (Kieran and I) celebrated our 11th skirted release.
BlokeBird has been much loved in the making. Big ups to those folk who have contributed colour and graft. Cheers to Stefan Neville of Pumice fame for a little classy noodling on File Miles from Anywhere, to Jack Trolove for great photos and to Kieran for hours and hours and hours of everything else.
DSLB (Ditzy Squall’s Lunchbox) has morphed out of a cranking Wellington-based project called Ditzy Squall (Chrissie Butler, Aaron Lloydd and Kieran Monaghan). The sideways lyrics and stacked up patterns still dominate the songs, but in BlokeBird the songs are anchored in low-fi clatter and field recordings rather than the angular pop of Ditzy.
The title track Bloke Bird was inspired by Grayson Perry, the winner of the Turner Prize in 2003. Perry’s win achieved some kick back from the Fine Art’s establishment plus a few column inches in the international press. Not only was it deemed inappropriate for a ceramic artist to scoop a major fine art award, but to pick it up crossed-dressed with your family at your side was quite a story,
The last track, Lucky Hunt also has a story of its own. It was an attempt at a day tape, a project constraint where you give yourself 24 hours to write and package a whole album of songs.
My 24 hours was an overnighter in a hut, in the bush, in the rain, with Garageband and a little orange guitar for company. I didn’t crank out and package a complete album. Instead I wrote Lucky Hunt and made a “behind the scenes” spoof video of “The making of Lucky Hunt”. That’s the video below. Not very serious, but at least you now have some insider knowledge of the instrumentation!!
You can find out more about BlokeBird and DSLB on DSLB’s Facebook page. Or check out the skirted Records BandCamp for DSLB’s BlokeBird and take a look at Ditzy Squall’s Skirt. If PayPal isn’t your thing, drop us an email and we can see what we can do.
Well, the world hasn’t ended, again. Better luck next time Apocalypse! However, there was a small suggestion that perhaps this time round it was more likely a homeopathic catastrophe, that is that the more dilute and insipid the event, the greater the final cataclysm. The date of departure though, that’s another matter…
The year is ending however. And in some ways it has been a quiet one for us. A few shows earlier in the year, and a couple to close 2012. And though it may have seemed like a bit of a public void in the middle, I can vouch that we haven’t been slack. This year we journeyed from Invercargill to Auckland for a few shows, released a solo mr sterile album, and took our Transit exhibition to Dunedin and won an award at the finge festival. But essentially we have been spending a great deal of time working on new tunes, along with some close personal evaluation.
The Transit album/exhibition/project has been a success well beyond any initial intention. It has taken us to venues we wouldn’t have imagined, opened doors, conversations, and opportunities for experiences far exceeding the act of playing a simple tune or two. And along the way we collected some sterling reviews.
But it is time to move on, and for the most of this year we have been focusing on the ‘what next?’. Song writing basically, of which we now have a bunch of new songs in our repertoire, and a few more in the wings. It always takes a lot longer than personal impatience demands to finish these things. The research can take ages, then the banging and hammering required to transform ideas to music. It’s been a bit of a struggle at times, but a struggle of the good variety.
And a new transitional costume, beautifully photographed by Roger Grauwmeijer.
So far the plan is that by the end of 2013 we will have written, worked, and developed enough material for a new album.
So now it’s time to start planning for next year.
There is one last act for Transit. On Wednesday January 23 we are presenting at ICOT, the International Conference on Thinking[1.45 – 3pm]. Essentially we are going to “…provide insight into the creation of the collaborative work “Transit” as an example of what is possible when you rethink the paramaters of a familiar activity – the production of an album of music. In [our] unique style [we] will tell stories about Transit’s connection and continuing impact on a small community in south east Java, the creation of the 11 related art works by prominent contemporary NZ artists, the touring exhibition and the glitch music video project.”
Next, we are playing at the Wine Cellar in Auckland February 2, CANCELLED. We are planning to play more in 2013, if you are interested in discussing with us the possibility of coming to play where you are, then please get in contact and we can negotiate from there. Discussions of touring further afield are back on the table too…but where?
Our glitch video project is also back on the boil. So all those that sent in contributions to the video, your work has not been forgotten, and hopefully we will be able to present something that may make you go OMG!
And finally, we plan to announce SOON the release of Chrissie’s DSLB solo album, a spectacular way to close the year.
Happy new year all.