Good friends of ours, Gold Medal Famous, have been in a bit of transition recently, with some moving cities, and an additional change in personal. The self-described Avant garde pop trio have always been enjoyably off the wall and very entertaining in both performance and approach to music making. Prolific is also something they are.
They have a new ep being released soon. However, in a pre-emptive warm-up exercise they encourage anyone interested to remix the first track from the new release.
We did our best to Rammsteinify this ear-worm, this infectiously hooky and hummable tune. And no matter what we threw at it, it remained sweet.
Got a busy few months ahead with local travel before some international travel…
First the local.
A couple of weeks later there’s gonna be a secret show in Wellington…can’t say nothing…never
This weekend a very rare event indeed with DSLB, the solo project of Chrissie Butler opening for the touring duo know as HackedePicciotto.
DSLB recently release the album TwohandsTwice and will be using that format of wind-powered keyboards, electric motored or manual, to set the scene for the evening.
The tour of HackedePicciotto has been organized by the Audio Foundation:
[from the AF website] “Audio Foundation is pleased to announce a nationwide tour for HackedePicciotto, stalwarts of Berlin’s legendary underground culture of the ’80s and ’90s and giants of multimedia art and industrial music.
Both artists are legends of their own making: Danielle de Picciotto moved to Berlin in 1987 where she became the lead singer of the band Space Cowboys, co-initiator of the Love Parade, and frequent collaborator with the Ocean Club alongside Gudrun Gut. Alexander Hacke is founding member and bass player of avant-legends, Einstürzende Neubauten. Over two decades, the duo has collaborated in countless international projects in addition to regularly releasing their own compositions.
In 2010, de Picciotto and Hacke made the decision to abandon their home, forging a nomadic path from one city to the next, eschewing all sense of fixity and stability along the way. The absence of a permanent place of return has since informed their work, which they produce relentlessly in search of“external & internal clarity, archaic principles and philosophies, and the means to master the rigours of the road.” The duo describes the cause for their restlessness as stemming from “gentrification, and the annihilation of individualism, as wells as the rising cost of living and the relentless sellout by the mainstream entertainment industry.” In response, “artists need to find new ways of working … in order to upkeep integrity and autonomy. The old patterns no longer function.”
After years of live performance, the intensity of Hacke-dePicciotto shows, along with the duo’s reputation for existential angst, proceeds their arrival. de Picciotto’s Hurdy Gurdy, autoharp and kemenche combined with Hacke’s virtuosic lines on bass, guitar and percussion, punctuated by melancholic, translucent harmonies and underpinned by low electronic rumbles. The soundscapes engendered by this collage bring forth a mesmerizing universe of sound and emotion, leaving audiences both shaken and overjoyed.”
Huge thanks to Roger Graumeijer, of RoxPx.com, for collecting great images and the following moving pictures from our recent swift South Island tour.
The three recently recent album on our skirted Records were sent to Nick Bollinger of Radio NZ for potential review. And we were wonderfully surprised when this appeared. Thanks heaps for the positive clip.
Nick Bollinger discusses the rhythms, rants and recent releases of Wellington-based independent musician Mr Sterile.
Here’s an act that has travelled as far and wide and played to audiences as diverse as any band from this country ever has – though that hardly means Mr Sterile is a household name.
Mr Sterile is the performing alias of Kieran Monaghan: drummer, vocalist, occasional bassist, guitarist, and – for these particular recordings – virtually everything else as well.
Monaghan has been performing under the Mr Sterile banner since around the turn of this century, often in collaboration with his partner Chrissie Butler.
There’s a high level of theatricality about what they do. Their stage costumes are like some mash-up between Bride Of Frankenstein and early Split Enz. At times they incorporate other musicians as well. These larger aggregations are known as Mr Sterile Assembly. Otherwise it’s simply Mr Sterile, which is the case with two new releases, which are essentially Monaghan solo works – though that doesn’t mean they are not packed to the gunnels with sound.
The music might not conform to any old-school punk-rock rulebook, still there is a punk impulse behind it – perhaps politically even more than sonically. The lyrics are like wake-up calls; warnings of the various mechanisms and instruments of oppression that threaten our lives.
But there is a satirical as well as a sinister side to the Mr Sterile aesthetic, which you’ll find everywhere from the lyrics to the handmade packaging. Sacred cows and self-congratulation are prime targets. The first of these two recent releases is called The General Pathetic, with both its title and graphics parodying a well-known Kiwi rock classic.
Monaghan’s primary instrument is the drums and this music comes at you rhythm-first. Those rhythms can be layered and complex, as in the industrial waltz of ‘Cast Adrift’, or furious and combatant – try ‘Kraschenbanger’s Return’. At other times the effect is almost folky (‘Setting Fire To Bob’).
The General Pathetic was actually recorded about six years ago, though it has only just been mastered, and is the more lo-fi of the two new releases.
The other album – Haters, Wreckers and Other Friends – is a bit more sonically refined, though sheer ferociousness isn’t compromised. This is music with a lot of sharp edges that seems to combine the sonic force of Fugazi with the angular rhythms of Captain Beefheart. Chimes of gamelan deepen the textures. Tracks like ‘Would We Be Alive’ imply a spiky kind of funk.
A third new release, also from Mr Sterlie’s label Skirted Records, could be heard as the antidote to the other two. It certainly makes for a study in contrasts.
Two Hands Twice comes out under the name DSLB (that stands for Ditsy Squalls Lunch Box) the alias of Mr Sterile Assembly bassist Chrissie Butler, and consists simply of five instrumentals played on a wheezy old pump organ. These are minimal and meditative. Built around single note drones in no discernable tempo over which harmonies are very slowly added and subtracted, it is like music in slow motion. The song of a glacier, or an organic, handmade version of Eno’s ambient music.
After listening for a while my nervous system seemed to settle to where just the addition of a second note became a momentous event. But sometimes the organ is joined by unidentified rattles and bangs – it might be a washing machine in the next room – and something almost akin to a groove enlivens the drone.
With these three releases out in the world, Mr Sterile Assembly are heading back on the road soon, premiering some brand new material. In the past they have toured extensively through South East Asia and Eastern Europe, places few New Zealand bands have ever set foot. But this midwinter jaunt takes them to Christchurch, Dunedin an Invercargill.
Catch them if you can. There’s nothing else like it.
For the first time in a long time we get to return to the south Island for a few shows.
The HELLo Show is our new work in progress, a developing idea of new songs and presentation, a push back against frantic apocalyptic fantasies without denying the mounting data of impending difficulty thats ahead of us. And a bit more raucous fun.
- Christchurch : Thursday June 7: At the Darkroom with local acts Carradine Choke and The Ruling Elite
- Dunedin : Friday June 8: At the Dunedin Musicians Club with Infinite Justice and Bad Bandmate
- Invercargill : Saturday June 9: At the Southland Musicians Club with Murgatroyd, Otepuni Moonshine and Seafog [from Dunedin].
The Ruling Elite
The poster has been designed specifically for this tour by the wonderful artist Stefanus Endry Pragusta from Yogyakarta, Java, Indonesia. Many thanks for the international collaboration! This is his statement on the work titled “TODAY”:
2017 was a very quiet year on the performing front. In fact all aspects of the active side of the band took a long overdue break. But during this period it became apparent that while not songwriting, we could actual tidy up some of the projects on the back burner.
As part of this break, Chrissie took off to the NZ Pacific Studio for a few days and returned home with the beautiful, slow instrumental album Twohandstwice.
Five improvised recordings on an ancient pedal organ. It could be Music for Ports if you will, a contact mic on the lungs of trees, a galleon that sings to the sea in the pitch of night, the play of first light.
Next up is Haters, Wreckers and other Friends.
This is a collection of the most recent solo mr sterile recordings, that were found lurking in files inside a computer. A mixture of more rock songs, mixed with electronic and downloaded app application.
And finally there is The General Pathetic.
This album was recorded on the quiet somewhere around 2012, but the finishing never felt completely complete. So this album, along with the other two, received a new mastering by Warwick Donald to add the little extra oomph they needed. And it’s certainly worth it.
The General Pathetic is a little more lo-fi than Haters, but is the obvious precursor of many of the techniques used on Haters, so they sit like a happy family … if that’s an appropriate metaphor for this grumpy pair.
All albums have a limited edition physical release. Each is assembled into a hand-fashioned card sleeve alongside a collection of images for extra info.
It’s great to have these done, now the attention turns fully to new song writing and already there’s some strong new tunes bursting at the seams. We are really looking forward to playing them out.